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From Chapter 3: Tobacco's a musician, And in a pipe delighteth, It descends in a close Through the organ of the nose With a relish that inviteth. These are merely a few examples of both the praise and the abuse which were lavished upon tobacco at this early stage in the history of smoking. It would be easy to fill many pages with the like testimonials and denunciations, especially the latter, from writers of the early decades of the seventeenth century. Perhaps the most curious thing in connexion with the immense number of allusions to smoking in the literature of the period is that there is no mention whatever of tobacco or smoking in the plays of William Shakespeare. As Edmund Spenser, in the "Faerie Queene," speaks of
From Chapter 7: Warton and another Oxford smoker of some distinction—the Rev. William Crowe, who was Public Orator from 1784 to 1829—are both said to have been, like Prior, rather fond of frequenting the company of persons of humble rank and little education, with whom they would drink their ale and smoke their pipes. Mr. A.D. Godley, in his "Oxford in the Eighteenth Century," gives an excellent English version of the Latin original of one of the Christ Church "Carmina Quadragesmalia," which affords much the same picture of the daily life of an Oxford Fellow in the days when George I was king. This good man lives strictly by rule, and each returning day— Ne'er swerves a hairbreadth from the same old way.
Always within the memory of men
He's risen at eight and gone to bed at ten:
The same old cat his College room partakes,
The same old scout his bed each morning makes:
On mutton roast he daily dines in state
(Whole flocks have perished to supply his plate),
Takes just one turn to catch the westering sun,
Then reads the paper, as he's always done;
Soon cracks in Common-room the same old jokes,
Drinking three glasses ere three pipes he smokes:—
And what he did while Charles our throne did fill
'Neath George's heir you'll find him doing still.
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Cigarette and Tobacco Information:
From Chapter 2: Perhaps the most noteworthy thing about smoking at this period, from the social point of view, was its fashionableness. One of the marked characteristics of the gallant—the beau or dandy or "swell" of the time—was his devotion to tobacco. Earle says that a gallant was one that was born and shaped for his clothes—but clothes were only a part of his equipment. Bishop Hall, satirizing the young man of fashion in 1597, describes the delicacies with which he was accustomed to indulge his appetite, and adds that, having eaten, he "Quaffs a whole tunnel of tobacco smoke"; and old Robert Burton, in satirically enumerating the accomplishments of "a complete, a well-qualified gentleman," names to "take tobacco with a grace," with hawking, riding, hunting, card-playing, dicing and the like. The qualifications for a gallant were described by another writer in 1603 as "to make good faces, to take Tobacco well, to spit well, to laugh like a waiting gentlewoman, to lie well, to blush for nothing, to looke big upon little fellowes, to scoffe with a grace ... and, for a neede, to ride prettie and well."
From Chapter 6: Other well-known men of the late seventeenth century were "tobacconists" in the old sense of the word. Sir Isaac Newton is said to have smoked immoderately; and a familiar anecdote represents him as using for the purposes of a tobacco-stopper, in a fit of absent-mindedness, the little finger of a lady sitting beside him, whom he admired, but the truth of this legend is open to doubt. Thomas Hobbes, who lived to be ninety (1588-1679), was accustomed to dine at 11 o'clock, after which he smoked a pipe and then lay down and took a nap of about half an hour. No doubt he would have attributed the length of his days to the regularity of his habits. Izaak Walton, who also lived to be ninety, as the lover of the placid and contemplative life deserved to do, loved his pipe, though he seldom mentions smoking in the "Compleat Angler." Sir Samuel Garth, poet and physician, once known to fame as the author of "The Dispensary," was another pipe-lover, as is shown by his verses quoted at the head of this chapter. Dudley, the fourth Lord North, began to smoke in 1657, and, says Dr. Jessopp, "the habit grew upon him, the frequent entries for pipes and tobacco showing that he became more and more addicted to this indulgence. Probably it afforded him some solace in the dreadful malady from which he suffered so long."
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Tobacco History:
Cigarettes and Literature
From Chapter 2: But the apothecaries were the most usual salesmen, and their shops and the ordinaries were the customary day meeting-places for the more fashionable smokers. The taverns and inns, however, were also filled with smoke, and taverns were frequented by men of all social grades. Dekker speaks of the gallant leaving the tavern at night when "the spirit of wine and tobacco walkes" in his train. On the occasion of the accession of James I, 1603, when London was given up to rejoicing and revelry, we are told that "tobacconists [ i.e. smokers] filled up whole Tavernes."
From Chapter 8:
In the fashionable world the snuff-box was all-powerful. The Prince Regent was devoted to snuff, but disdained tobacco. He had a "cellar of snuff," which after his death was sold, said John Bull, August 15, 1830, "to a well-known purveyor, for £400." Lord Petersham, famous among dandies, made a wonderful collection of snuffs and snuff-boxes, and was curious in his choice of a box to carry. Gronow relates that once when a light Sèvres snuff-box which Lord Petersham was using, was admired, the noble owner replied, with a gentle lisp—"Yes, it is a nice summer box—but would certainly be inappropriate for winter wear!" The well-known purveyor who bought the Prince Regent's cellar of snuff, and who bought also Lord Petersham's stock, was the Fribourg of Fribourg and Treyer, whose well-known old-fashioned shop at the top of the Haymarket, with a bow-window on each side of the door, still gives an eighteenth-century flavour to that thoroughfare. All the dandies of the period were connoisseurs of snuff, and imitated the royal mirror of fashion in their devotion to the scented powder. Young Charles Stanhope wrote to his brother on November 5, 1812—"I have learnt to take snuff among other fashionable acquirements, a custom which, of course, you have learnt and will be able to keep me in countenance." But no dandies or young men of fashion smoked. Tobacco, save in the disguise of snuff, was tabooed.
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